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SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our
history, what we once were. That something, when we encounter it
again, look it straight in the eyes, disgusts us, makes us retch.
This is the horror of the abject. Following the success of Comma's
award-winning New Uncanny anthology, The New Abject invites leading
authors to respond to two parallel theories of the abject - Julia
Kristeva's theory of the psychoanalytic, intimate abject, and
Georges Bataille's societal equivalent - with visceral stories of
modern unease. As we become ever-more isolated by social media
bubbles, or the demands for social distancing, our moral gag-reflex
is increasingly sensitised, and our ability to tolerate difference,
or 'the other', atrophies. Like all good horror writing, these
stories remind us that exposure to what unsettles us, even in small
doses, is always better than pretending it doesn't exist. After
all, we can never be wholly free of that which belongs to us.
Performing a deft metaphorical evisceration of Sigmund Freud's
classic 1919 essay that delved deeply into the tradition of horror
writing, this freshly contemporary collection of literary
interpretations reintroduces to the world Freud's compelling theory
of "das unheimliche"--or, the uncanny. Specifically designed to
challenge the creative boundaries of some of the most famed and
respected horror writers working today--such as A. S. Byatt,
Christopher Priest, Hanif Kureishi, Frank Cottrell Boyce, Matthew
Holness, and the indomitable Ramsey Campbell--this anatomically
precise experiment encapsulates what the uncanny represents in the
21st century. Masterfully narrated with the benefit of unique
perspectives on what exactly it is that goes bump in the night,
this chilling modern collective is not only an essential read for
fans of horror but also an insightful and intriguing introduction
to the greats of the genre at their gruesome best.
Whatever happened to British protest? For a nation that brought the
world Chartism, the Suffragettes, the Tolpuddle Martyrs, and so
many other grassroots social movements, Britain rarely celebrates
its long, great tradition of people power. In this timely and
evocative collection, twenty authors have assembled to re-imagine
key moments of British protest, from the Peasants' Revolt of 1381
to the anti-Iraq War demo of 2003. Written in close consultation
with historians, sociologists and eyewitnesses - who also
contribute afterwords - these stories follow fictional characters
caught up in real-life struggles, offering a streetlevel
perspective on the noble art of resistance. In the age of fake news
and post-truth politics this book fights fiction with (well
researched, historically accurate) fiction.
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